The craft was inherited.
Steve grew up inside a family where cameras were part of ordinary life.
This work was part of the family before I understood it.
My grandparents, D.A. and Kenneth Nissle, made photographs and home movies when personal documentation was still unusual. At Clifton’s Cafeteria in downtown Los Angeles, they turned attention into something people could hold.
My father carried the craft into fine portraiture. I carried it into documentary work. The tools changed. The instinct did not: notice what matters, preserve it carefully, and help people recognize the story already there.
Kenneth filmed D.A. moving through an ordinary day. There was no campaign or audience. He simply understood that ordinary life becomes important when someone takes the time to notice it.
This section lives underneath the footage so the film can open the memory first. The words simply give context to what the camera already preserved.
At Clifton’s, a visit could become a souvenir. Patrons were photographed while enjoying a meal, and left with a small record of having been there. The cards, the shop, and the people behind them show the work as it really was: personal, immediate, and made to be kept.
My grandfather preserved ordinary life. My father carried the craft into fine portraiture. I brought the same attention into documentary storytelling for businesses and the people behind them.
Steve grew up inside a family where cameras were part of ordinary life.
My father carried it forward through fine portrait work and a lifetime of photographing people carefully.
I use documentary film and photography to help people recognize what is worth preserving in the work they have built.
Narratv did not only grow out of a family inheritance. It also grew out of a season when I had lost the clearest sense of who I was and had to learn how a story can be buried, rewritten, and slowly reclaimed.
My wife, Abegail, has been part of that return. Her presence, honesty, and influence helped me see that remembering is not nostalgia. It is the work of choosing what is true now, then living from it with greater courage. Her work with Kismet and Satori guides people through their own journey of remembering.
That experience changed how I sit with a founder, ask a question, and recognize the moment when someone hears their own story clearly again.
Narratv is the practice: a cinematic story and media consultancy based in Phoenix, Arizona. NGN Pictures is the production company beneath it, named for three generations of Nissles who kept the cameras running.
The clients and industries have changed. The standard has not. Know the person first. Then create the media that lets other people feel what is true about them.
“Nolan did more than create beautiful media for us. He helped us understand what was worth saying, why it mattered, and how to communicate it in a way people could immediately feel. The final work looked elevated, but more importantly, it felt unmistakably like us.”
“Our business had grown far beyond the way we were presenting ourselves. Narratv helped close that distance. The work finally reflects the experience, intention, and standard we have spent years building behind the scenes.”
The lineage is not about repeating what came before. It is about carrying the same care forward, and turning it toward what matters now.